Lost in Things Questioning
Functions and Meanings of the Material World November 28th - 29th 2013 |
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Speakers and Abstracts Jennifer M. Bagley Tool, Prestigious Object, Magical Device - Following the Neolithic Stone Ax through Time and Space In
the Neolithic grounded stone axes of different forms were produced in central
Europe. From the beginning on they could fulfill multiple purposes and
possessed different meanings. Most were used as multifunctional tools but some
had, according to their form, materiality – and probably especially the color –
as well as their mounting prestigious and ritual meaning. Due to the material
characteristics of the stone they were preserved in high numbers and found
again and again over thousands of years. Their presence
obviously called for an explanation, whose main thread as a protection against
thunder storms can be traced from roman times through to the 19th
century, but detail varied considerable in different times and regions. The
example of the Neolithic stone axes and their different uses and ascribed
meanings highlights the bilateral relationship of man and object – determined
on the one hand by the materiality of the object and on the other hand by the
mutability or persistency of the world view of a given society. Ludĕk Brož Reminding Remainders: Indexes Fallen from Sky Artefacts produced in
the space industry rank among the most sophisticated and costly things ever
manufactured by humans. The lifecycle of many of these artefacts is short,
since they are ‘used up’ in their designated missions. A closer look
nevertheless suggests that this ‘using up’ is never ideal: many artefacts live
a second life as debris fallen from the sky. In this paper I will look at the
fate of second stages of rockets launched from Baikonur and falling back to the
earth in the vast and allegedly ‘empty’ spaces of the Altai Republic
(South-West Siberia). I will argue that such ‘emptiness’, as a crucial feature
of designated fallout zones, is predicated on the absence of humans; in other
words, it is seen as a domain where things interact among themselves. Despite
this premise, however, there are many people who use, fear and argue about
cosmic debris in the Altai Republic. The important feature of rocket remains
seems to be their indexicality: they remind those who encounter them of, for
example, space exploration, invisible toxic and/or radiation hazard or business
transactions going on thousands of kilometres away. In such an exercise of
material semiotics, I contend, nothing less is at stake than the very ontology
of the fallen cosmic junk.
Federico Buccellati The Problem of Architectural Continuity in a World of Change “The King is dead,
long live the King!” With this sentence the office of 'King' is passed from a
deceased king to a new king. Such a shift in language may be easy: through this
sentence the person meant by the term 'King' changes. But architecture, too, is
representative of an institution, person or organization much in the way that a
title represents them. However, the connotation embedded in architecture cannot
be wiped away with merely a phrase. This paper explores the ways in which buildings 'associated' with an institution, person or organization lose meaning, either actively or passively. The examples given are drawn from the archaeological record of the ancient Near East, where Palaces and Temples inexorably linked, in their construction, renovation and destruction, to the 'person' to which they are tied. A particular example of this tie is the ‘Residenzstadt’ phenomenon, whereby whole cities are linked in this manner to the king who founds them; how these cities are founded and change with the passage of time is a further example of the changing ‘connotation’ of a name. Martin Holbraad On Pragmatology: from Things to Concepts - or, Savage Thought again Within anthropology,
much has been written about the possibility of a posthumanist critical social
science that is able to emancipate 'things' (objects, artefacts, materiality,
etc.) from the ensnaring epistemological and ontological bonds of 'humanism',
'logicentrism' and other modernist imaginaries. The aim of this essay is to
take this project further by exploring the possibilities for an anthropological
analytics that is able to allow things - by which I mean something akin to
'things themselves', though only in the strict heuristic sense that I specify
in the paper - to generate their own terms of analytical engagement. Might the
feted posthumanist emancipation of the thing be shown to consist in its
peculiar capacity to unsettle whatever ontological assumptions we, as analysts,
might make about it (including, perhaps, the ontological premises of a
'posthumanist turn' itself)? Might things decide for themselves what they are,
and in so doing emancipate themselves from us who would presume to tell them?
Might they, if you like, become their own thing-theorists, acting as the
originators (rather than the objects) of our analytical conceptualisations?
Arnica Keßeler The Gender of Things. Is “Gender” a Concept for Humans only? Gender as a social
construction is often based without reflection on sex, a biological
category
supposed to be appropriate or real. Since the writing of Judith Butler
sex is
also recognized as a construction, build on random characteristics. In
this talk
gender is not only understand as the difference between female and
male, but
rather as disproportionate relationship between various subjects, which
includes male- female division next to relations of power, class or
age. The
characteristics, to which gender is often assigned to, are so called
“gender
markers”. These markers do not only connect characteristics to a
gender, as for
instance dominance or sensibility, but also create it. The concept,
first
developed for a traditional social sphere, can also be transferred to
the
material culture studies.
Besides the fact that humans can be treated as things (Igor Kopytoff,
with his famous example of slaves), sometimes things are humanized as
well. Based on these assumptions, can
things have a gender and how would the concept be a useful tool to work
with? Alesya Krit Redefining Temporality of Materiality: Renovating Decaying Houses in South-Eastern Spain This
proposed paper will address the topic of material presence of decaying houses
in the rural areas of south-eastern Spain: long after they were originally
built and used by Spaniards, abandoned during the years of migration, Civil War
and dictatorial Franco regime, they are still forming the landscape of Spanish
countryside. Those ruins are usually evoking the forgetting/remembering dilemma
among the locals who have very difficult relationships with their past,
especially defining their own role in those continuous historical contexts. The
British lifestyle migrants who move to reside in Spain full time, on the other
hand, are the new residents who get engaged with those abandoned buildings,
renovate them and give those houses ‘a second life’. Since the newcomers are not
familiar with the history of those dwellings, or, for that matter, interested
in it, they set on a different journey of rediscovery of the material
environment of those ruins. The paper will discuss the processes of
reengagement, as well as the affect of the decaying houses that shift notions
of belonging and mobility among the new residents.
Bjørnar Julius Olsen Farewell to Meaning? Halldor's Dump Truck and the Fallacy of Interpretation A winter day fifty years ago a dump truck suddenly arrives in a remote northern village. The dump truck’s unexpected arrival - and enigmatic fate here - constitutes the background to this talk about theory and interpretation in archaeology and material culture studies. One argument is that our engagements with things and places for too long have been subjected to an aggressive hermeneutics where the never-ending search for “meaning” largely has left out and even irrationalized the sensory, affective and thus aesthetic aspects of these material encounters. As an alternative I explore the possibility of (re)turning to a more banal or naïve empiricism, an attentive attitude which allows also for affects, aversions, and wonders - for all that instinctively and involuntarily released in our direct encounters with snow, dump trucks, and other things. Diamantis Panagiotopoulos Incompatible (?). Exotic Seals in the Bronze Age Aegean and the Tension between Social Practice and Affordance In our globalized world,
incompatible products have become a rather ubiquitous and cumbersome
experience. Similar
problems of
incompatibility – though quite different in scale – appeared in
pre-modern
societies, especially when foreign objects crossed cultural borders
acquiring a
new context of use/consumption. In these cases, local social practices
were
confronted with the objects’ ‘affordance(s)’ which were, as a rule,
incompatible to each other. Foreign seals which reached the Aegean in
the
Bronze Age provide a very insightful case study for exploring this
problem as
well as the inventive reactions of ancient users/consumers. In their
place of
origin, Oriental seals fulfilled as administrative instruments and
prestige
objects a strictly regulated function. Many of them were imported into
the
Aegean region as diplomatic gifts or trade commodities. In their new
social
context, the inevitable problem of incompatibility between local
bureaucracies and
the design of these exotica was the determining factor of their second
‘biography’. By focusing on this group of objects and by discussing
some pertinent theoretical issues, the present
paper aspires to provide new insights into the ‘challenge of things’
which are
relevant to recent debates on material culture that bring social
anthropology
and archaeology closer to each other. þóra Pétursdóttir Ruin/ Ruination: the Aesthetics of Heritage Programs of heritage management and conservation may be seen as challenging conventional systems of value and care focusing partly or even mostly on things that for some reasons have been abandoned or discarded and thus excluded from other/past systems of value. This focus on things and tangible heritage has lately been criticized suggesting that it downgrades or excludes various other and intangible forms of heritage. This paper seeks to scrutinize the care for things generally sustained in the heritage sphere by looking at the cosmetic transformations and management things undergo through their promotion to the heritage category and by exploring the paradox involved in caring for ruins but not ruination. The paper further discusses the possibilities of a different take on heritage aesthetics and a more thing-oriented heritage conception.
Jens Soentgen Indigenous Rubber Rubber is one of the
most important materials in the modern world. The substance has a dual history:
one part played out in Central and South America, where rubber was already
being used in pre-Columbian times. The other part took place in North America
and Europe, where rubber in a certain sense was reinvented. This presentation
focuses on the little-known indigenous use of rubber in South America,
especially in the Amazon basin, and demonstrates that the indigenous processing
of rubber was in no way inferior to western rubber technology. It is shown that
the indigenous people possessed a functional equivalent to vulcanization that
made their rubber products resistant to wear and tear. Their inventions made
western rubber-technology possible, however the rise of western rubber industry
degraded the Indians to mere rubber-collectors. Instead of the highly
sophisticated rubber goods they used to produce - like boots, shoes, coats etc.
- from the middle of the 19th century they had to deliver big rubber
balls, the so called "negro heads". Today in certain regions of the
Amazon basin efforts are made to revitalize the old Indigenous
rubber-technology. Patricia Spyer A Night at the Museum in Maluku: Animacy, Materiality, Aesthetics In Michel de Certeau’s
“The Beauty of the Dead,” the popular as an object of study emerges out of the
elimination of a menace. Such would seem to describe the museum dedicated to
Seramese Culture on Seram Island, Maluku. Founded by a former prison director
responsible for capturing pagan Nuaulu found guilty of headhunting, he embarked
post-retirement on a vast project devoted to the island’s Alifuru culture,
especially its alleged bloodthirsty past. Enclosed within the museum and in
statues and portraits of the island’s storied warlords, the Alifuru everyday
appears domesticated, aestheticized, and
“dead.” But the past in Seram is not quite past--things go bump in the
night at the museum, untoward events ensue. This paper explores the unsettling
agency of objects as they become seized by a suppressed past that forcefully reasserts itself during
crisis. The potential for animacy and the materiality of things is a concern
throughout. Philipp Stockhammer How Things Unsettle Us There is
no doubt that things have the power to make us wonder, angry or confused. Hans
P. Hahn demonstrated that this potential is possessed particularly by those
objects which fall between our categories. In past times, those objects were
kept together in the “Wunderkammer” as a place for the wondrous. Nowadays,
these things are often called “hybrids” – thus overcoming the problem of
classification by creating a new category where “hybrid” often only exhibits
the helplessness to work with the objects as such. My aim is to shed further
light on the things’ power to unsettle us. I want to show that the most
powerful objects are those which seem to be classifiable at the first glance, whereas
only the second moment reveals the absence or loss of a relevant feature crucial
for our classification. In the first moment of encounter with the object, we
are used to seeing through the individual object and to perceiving only the
category into which we classify the object. The power of the shifting
perception of objects will be demonstrated with case studies from the
prehistoric past and from the present.
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Publishing Date 19.07.2013 updated 16. 10. 2013 |